SirMino

bello! forse un po' troppi bassi, ma comunque bel suono! ma la bitch quanti W era? non ricordo

devo ammettere che la Flying V versione moderna non mi dispiace certo a quel prezzo

ad un prezzo sensato potrebbe anche essere una serie carina, ma così... gibson continua a sprofondare nel baratro finanziario e non azzecca una sola scelta per probare a risalire un po'..

io ho Renaissance Reverb e Compressor.. onesti, semplici e ben suonanti, anche se alla fine spesso per il riverbero uso quello di VoS ho anche il channel strip SSL G, il cui compressore però fatico a farlo lavorare bene

e in questo caso dove lo inseriresti nella catena?

ma quindi il preamp vorresti usarlo quando microfoni le casse, giusto?

scusate l'up preistorico, ma Tim Pierce ha pubblicato da poco questo video e uno dei commenti è estremamente interessante: Hey Tim-- i have some gear Intel on this from Martin Birch who recorded this record in the rolling stones mobile truck in montreaux. Being a dp nerd I hammered him with questions when I met him 2 summers ago. He was very sweet and patient with my ....interrogation. During the recording of machine head, Ritchie either played a cherry 335 thru a modified horby-skewes treble boost into an AC30 or the black 68 strat into a modified horby-skewes treble boost into a marshall major into two 4x12's with greenbacks. To his recollection the Strat never got plugged into the AC 30 and the 335 never got plugged into the Marshall because it would just howl like a beast apparently in the studio confines. The modification on the horby-skewes treble boost is that it had a level control installed which he would run backed off a bit to 75% ish. The 335 also had the pickup screw pole pieces super cranked up hi with the actual whole pickup being pushed pretty low into the mounting ring, thus making the other coil with no adjustable pole pieces much lower in output....RB liked it that as it made the 335 sound like it had single coil p90s in it.... so you were only really hearing mostly the jacked up pole piece side of the pickup and the other coil of the pickup was close to a third inch lower then the jacked up pole piece side but still humbucking. The awia tape machine delay/preamp was not in play yet...that didnt appear till Coverdale was the singer. For "smoke" specifically, the rythym guitar parts are the strat-marshall major chain and the solo we all know note for note in our heads was the 335- ac30 chain. So it wasn't really one or the other it was actually both from that song. He said at the point of recording machine head he had almost completely transitioned into the Strat Marshall major scenario and rarely played the 335 ac30 scenario much anymore only on a couple solo bits did he use it on that record. Also live at that point he had completely abandoned the 335 and ac30 - it would only reappear for the studio and he believes machine had was the last time the 335 and the ac30 came out to be recorded or was actually used in the studio. Anyway I hope that too long of a comment was helpful.

non sono ancora riuscito a vedere il video, quindi non so se lo dice lui, ma è a fotocellula?

"It actually does sound a little better. The extra DSP horsepower means that we didn't have to make compromises in some of the algorithms. The amp modeling algorithm is very similar but there's a few places on the II where we had to make compromises to get the algorithm to run within the allotted time. Also the III has a higher internal oversampling rate and a higher bit depth on some calculations (64-bit vs. 40-bit)." https://forum.fractalaudio.com/threads/xl-becoming-obsolete.134736/#post-1592389

comunque dicono che già adesso alcune cose suonano un pelo meglio, visto la maggior potenza di calcolo e di conseguenza la possibilità di aver meno compromessi questo secondo il team fractal eh, sia chiaro

ma il ciccione sarà mica dave friedman?

stando a quanto dice john suhr il body è della stesso spessore delle LP classiche

basati sulla tecnologia della brivido o sono più "normali"?

ma questi Gurus Americana e Rusty? @Chicco Gurus ci dici qualcosa?

suonata dal chitarraio preferito di radiochitarra

la cosa interessante è che dal 2019 potrebbe nascerne una linea più standard con prezzi più umani (e magari più opzioni - chi ha detto P90? )

SERIES Limited Edition MODEL Aura - 20th Anniversary LE BODY WOOD Okoume BODY TOP WOOD Figured Maple BINDING Tinted Ivoroid FINISH MATERIAL Thin Skin Urethane Gloss FINISH COLOR Aged Cherry Burst, Caramel Burst, Tea Burst, Gold HEADSTOCK Aura NECK PROFILE Historic C .880" - .995" SCALE LENGTH 24.625" NECK JOINT Long, wide tenon neck joint NUT WIDTH 1.687" NUT MATERIAL Unbleached Bone # OF FRETS 22 FRET SIZE Heavy FRET MATERIAL Nickel Silver RADIUS 10"-12" NECK WOOD MATERIAL Khaya FINGERBOARD MATERIAL Indian Rosewood PICKUP CONFIGURATION H/H NECK PICKUP Thornbucker MIDDLE PICKUP N/A BRIDGE PICKUP Thornbucker Plus PICKUP SELECTOR 3-Way Toggle CONTROLS V/V/T/T ELECTRONICS 50's Wiring with 150 Style Capacitors & CTS Pots BRIDGE Tone Pros NVR-2 w/ tailpiece TUNERS Suhr Locking HARDWARE FINISH Nickel Chrome pare prezzi di questo tipo per la prima limitata sera worldwide STREET PRICE (Figured Tops) $7,995.00 STREET PRICE (Gold) $7,500.00

An authentic, deep-dish carve top. Vintage-accurate scale length. Frets that lay over the binding. Straighter string pull at the headstock, along with a less than traditional break angle. More ergonomic body contours. Improved upper fret access. A lightweight body that isn’t chambered or weight relieved.

la foto a cui ti riferisci non è quella che ho messo io ma questa che qualcuno ha postato su instagram ben prima dell'altra che invece è stata postata dal customer service della suhr su tgp gombloddo!!1

"There will be 4 at NAMM, Carmel burst, Tea burst, Cherry burst and Gold top."

inizia domani :D

per ora non sembrano esserci da nessuna parte riferimenti alla possibilità di caricare IR di terze parti

quanto costa un helix lt nuova?