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SPhinX

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Ieri andavo da un mio amico per una suonata.

Mi ferma un anziano in bicicletta, vede che porto ampli e chitarra ed esordisce con “Ti invidio tanto, sai”.

Poi tra una domanda e l’altra mi racconta che è un intenditore di musica e che è particolarmente appassionato alla scena free jazz, tra cui mi cita con entusiasmo un certo Eric Dolphy, che suonava con Charles Mingus.

Io, che sono ignorante su una buona parte di quella scena, faccio un po’ spallucce.

Allora lui, un po’ bonariamente e con il sorriso sulle labbra, se ne esce con: “È normale sai che non li conosci, alla fine sono tutti n***i”

 

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Diamo una svecchiata al solito bloooz (si certo, andando su un album di 25 anni fa!) con un tocco di elettronica che strizza l'occhio all'hard rock e al jazz.

 

 

 
When I was fifteen, sixteen
When I started really to play guitar
I definitely wanted to become a musician
It was almost impossible because, it was
The dream was so big
That I didn't see any chance
Because I was living in a little town, was studying
And when I finally broke away from school
And became a musician
I thought "well, now I may have a little bit of a chance"
Because all I really wanted to do is music
And not only play music, but compose music
At that time, in Germany, in '69, '70
They had already discotheques
So I would take my car, would go to a discotheque
Sing maybe thirty minutes
I think I had about seven, eight songs
I would partially sleep in the car
Because I didn't want to drive home
And that helped me for about
Almost two years to survive
In the beginning
I wanted to do an album with the sounds of the fifties
The sounds of the sixties, of the seventies
And then have a sound of the future
And I thought "Wait a second
I know the synthesizer, why don't I use the synthesizer
Which is the sound of the future"
And I didn't have any idea what to do but I knew I needed a click
So we put a click on the 24-track
Which then was synced to the Moog modular
I knew that could be a sound of the future
But I didn't realize how much the impact would be
My name is Giovanni Giorgio, but everybody calls me Giorgio
Once you free your mind about a concept of
Harmony and of music being correct
You can do whatever you want
So nobody told me what to do
And there was no preconception of what to do
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E io torno al vecchio blues! tiè 🖕

In questi due giorni mi hanno preso parecchio i Canned Heat

 

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Negli anni '60, epoca di speranze e grandi ideali, erano alright. Guarda 30 anni dopo come son diventati i kids...

 

 

 

When we were young, the future was so bright
The old neighborhood was so alive
And every kid on the whole damn street
Was gonna make it big and not be beat
Now the neighborhood's cracked and torn
The kids are grown up, but their lives are worn
How can one little street swallow so many lives?
 
Chances thrown
Nothing's free
Longing for, used to be
Still it's hard, hard to see
Fragile lives
Shattered dreams (go!)
 
Jamie had a chance, well, she really did
Instead she dropped out and had a couple of kids
Mark still lives at home 'cause he's got no job
He just plays guitar and smokes a lot of pot
Jay commited suicide
Brandon OD'd and died
What the hell is going on?
The cruelest dream, reality
 
Chances thrown
Nothing's free
Longing for, used to be
Still it's hard, hard to see
Fragile lives
Shattered dreams (Go!)
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adorabile 

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Adesso, Uilliman Coscine Terzo dice:

 

Mi pare sia categoria facial su PH


facial/ in the eye

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